AN EXO PROJECT

Arvo Pärt @ The Met

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EXO partnered with Artefact Ensemble and Met LiveArts to present a once-in-a-lifetime concert at the Temple of Dendur

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About the project

We were invited to perform on the Met Live Arts series with Artefact Ensemble in a concert of Arvo Pärt’s music that featured a world premiere of his “O Holy Father Nicholas.” In a program curated by EXO’s James Blachly, the concert involved artistic consultation with the Arvo Pärt Centre, Michael Pärt, and Peter Bouteneff. Performing at the Temple of Dendur in a concert structured in complete silence was a profoundly moving experience for us all.

From the MET Website:

The Temple of Dendur is the setting for the haunting world-premiere of O Holy Father Nicholas, commissioned by Nektarios S. Antoniou for The Schola Cantorum, and The Metropolitan Museum of Art. Created by the revered Estonian composer Arvo Pärt, it celebrates the rededication of St. Nicholas Greek Orthodox Church and the National Shrine at Ground Zero. Masterpieces from the composer’s seven-decade career are performed by the Artefact Ensemble, under the direction of Grammy-nominated choral conductor Benedict Sheehan. Soloists from Experiential Orchestra are conducted by Grammy Award-winning James Blachly.”

PROGRAM

Fratres

Michelle Ross, violin

Vater Unser

Eric Brenner, soprano

The Deer’s Cry

Silouan’s Song

Salve Regina 

Summa 

O Holy Father Nicholas – World Premiere

Cantus in Memory of Benjamin Britten 

Da Pacem

Presented By

presenting partners

Media partner

Additional support

The Julia Perry Centenary Celebration & Festival is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Permission to use this photograph of Julia Perry is granted by Talbott Music Library Special Collections and Westminster Choir College Archives (Julia Perry Collection), Rider University. Digital image, copyright 2021.

Smyth’s haunting music, given here in conductor James Blachly’s new edition, is beautifully constructed and highly evocative (with quotes or allusions to earlier Smyth scores). Her orchestration is limpid and masterly, rendered lovingly here by Blachly with the Experiential Orchestra. The choral contribution is relatively minor, the focus rightly on the two soloists, but again superbly performed… Magnificent sound from Chandos, too. Very strongly recommended.

Gramophone

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A NEW EXPERIENCE OF SOUND